Posters as Munitions
Wacht im Osten: German Encounters with the East in World War I
When the German army advanced into the western territory of the Russian Empire (Poland, Lithuania, Belarus) in the spring and summer of 1915, the German soldier encountered a physical and cultural environment quite different from what he previously experienced.
They Shall Not Pass | 1916
Mud and mayhem, death and destruction, staggering unnecessary losses. All aptly describe the two pivotal battles of 1916, the Somme and Verdun. The attack by British and French forces was meant to break the Western Front stalemate. It did not They Shall Not Pass | 1916, on view May 6, 2016 – March 12, 2017 in Exhibit Hall, sheds light on the personal side of the conflict.
A Centenary of Australian War Art
The most comprehensive collection of Australian war art ever seen outside of Australia consists of artworks from the Australian War Memorial depicting Australian military experience from the First World War to Afghanistan. The exhibition features Australia’s best known war artists, including George Lambert and Arthur Streeton, and the works highlight the crucial role Australians played in some of the most defining moments in modern history.
Sand to Snow: Global War 1915
The year 1915 was pivotal in terms of the world-wide involvement in the war. World War I was the first truly global war starting in Europe, then spreading to Africa, Asia and the Near East. The European powers mobilized their colonies and commonwealths around the world. Soldiers and laborers from Southeast Asia, India, Africa and the Caribbean were sent to Europe and the Near East to fight.
Drawn to War The Political Cartoons of Louis Raemaekers
Dutch artist Louis Raemaekers, described as the “supreme cartoonist of the war,” used his pencils as a weapon to create powerful impressions characterizing and criticizing the nature and legacy of war.
War & Art
World War I coincides with the popularization of portable cameras and the simplification of procedures related to the development and printing. It was no longer necessary to be a professional. These cameras were less bulky, simple and relatively inexpensive. This exhibition, curated by the Instituto Per La Storia Del Risoorgimento Italiana, Roma, records Italian servicemen’s personal visions of the conflict, their war and their diary of the past days in uniform in the trenches.