Exhibitions

Etched in Memory features color etchings by British artist James Alphege Brewer (1881-1946) presenting scenes from Belgium and Northern France—cathedrals, churches and town buildings threa

When the Great War started in the summer of 1914, a school teacher in the Montmartre district of Paris asked his students, boys ages 8-13, to write essays and express in drawings how the war would

Sand to Snow: Global War 1915 illustrates the convergence of diverse military, political, economic and social forces of the combatant nations and neutral countries.

This exhibition focuses on the art and events of the first two years of the Great War, beginning with the invasion of Belgium and the campaign on the Marne and concluding with the fruitless efforts

Using the fields, villages, and people who witnessed the devastation of World War I, the soldier artists in this exhibition convey a shared understanding of the importance in depicting the look and

The war saw a vast output of pictorial work that attempted to capture the harsh realities of fighting.

100 Years of Collecting provides a window to examine incredibly diverse objects and documents as well as the opportunity to see how this monumental collection – the most comprehensive in t

Individual Americans immediately volunteered for humanitarian and military service primarily with the Allies after World War I broke out in 1914.

This special centennial exhibition, Fields of Battle, Lands of Peace: The Doughboys, 1917-1918, features the incredible contemporary photographs of Michael St Maur Sheil, depicting the bat

When Great Britain entered the war, so did Canada. Prime Minister Robert Borden issued an appeal for a “supreme national effort” and offered Canada’s assistance to Great Britain.

“During The Big Brawl: Humorous Imaginings” (“La Grande Bagarre: Fantaisies Humoristiques”) is a collection of political cartoons created by Gustave A. Wendt between 1915 and 1916.

A special exhibition tracing the Panthéon de la Guerre’s remarkable journey opened in 2012 in conjunction with Inventing the Modern World: Decorative Arts at the World’s Fairs, 1851-19